Dropping my friend John off at work at the library every Saturday means I am out early to get the best unlimited-time parking spaces near galleries.
Yesterday was the turn of the
White Cube in Hoxton Sqare that I hadn't been to in ages, to see
Antony Gormleys new sculpures. I've signed up to their newsletter now to keep up as I didn't know they'd opened another one in Bermondsy which is a big simple beautiful space - white walls, polished concrete flaws and huge ceilings of light (not sure if daylight or lighting).
White Cube Hoxton, Bermondsy, Mason's Yard-St James, Hong Kong
: http://whitecube.com/
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Antony Gormley - Still Standing @ White Cube, Hoxton
I like Gormley: he places humans in the centre of both seaside/urban/etc landscapes. (eg Angel of the North and Another Place) He has managed to create the emotion of these characters in their individual poses using blocks of steel (the building blocks of life?)
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| At one point I was standing with arms crossed, chin on hand looking at
one character when all of a sudden I noticed he was in the same pose.
Bit scarry until I realised I had probably unconsciously mimicked his
pose or that Gormley had simply used a common pose of people looking at
art. |
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| One of the attendants said she had run in one day dying to use the loo,
when she spotted the characters hunched over holding his groin area. |
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Zhang Huan The Mountain is Still a Mountain @ at White Cube Bermondsy
http://whitecube.com/exhibitions/zhang_huan_the_mountain_is_still_a_mountain_bermondsey_2012/
I also went down to check out the newish White Cube Bermondsy, their biggest gallery, not knowing if I could make it - but again the Olympics are keeping London's traffic to the level of a midnight run. I was also intrigued by the exhibition of a Chinese artist I'd never heard of - I think contemporary Chinese artists are really creating exciting new and beautiful work.
Wow what a discovery - and there's much to discover. Why didn't I know about him (born '65, graduated 93, exhibiting since '95) I'm obviously not on the cutting edge of what is going on.
here's his site:
http://www.zhanghuan.com/
First discover the works in this exhibition
These huge , seemingly (be patient there's more to it) traditional painted copies of old black and white photos, are haunting in themselves - yes I know I'm a sucker for the sadness and nostalgia of old photos of people now long dead - who they were, what life they lead - especially in a very different culture, my own death etc. And, in the wonderful open space of the new gallery they are given the space to breath life.
Then there are the simple names he gives them which you know have more meaning. You
get the feeling there is something else going on - 'National Day'
showing celebrations in 1959 in Tienanmen Square is obviously more than
just what it seems. Even though he doesn't mention the name of the
square, it must be obvious to all Chinese at least.
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| 'Our Parents' -left. 'National Day' - right. |
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| 'Our Parents' - how evocative of what they went through to bring up their children in China and the seriousness one showed in a portrait of a good communist family. |
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| 'The Soldier' |
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| 'Division Meeting' - left. 'President Yuan' - right. |
'My Literary Teacher'
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| 'My Literary Teacher' What wonderful ideas did she impart to her students? |
Then we have a slightly surreal 'Fire'. Is this the destruction of the freedom of the press. Is this man important. You can read up on this or just enjoy the image.
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| 'Fire' |
Then you discover the method
Then you realise they have all been created in the incence ash he collected from Budhist temples. He also makes sculptures with it.
From the guide:
'Entitled ‘The Mountain is Still a Mountain’, a reference to the
teachings of a Chan Buddhist master from the Tang Dynasty period, this
exhibition presents a series of large-scale figurative ash paintings
that touch on diverse cultural, political and spiritual themes. Painted from historical photographs taken from old magazines, family
albums and the propagandist publications distributed by the government
during the Cultural Revolution, their subject matter ranges from
depictions of political leaders, such as the influential Nationalist
Party members Chiang Kai-shek and Hu Hanmin, important intellectual and
religious figures like the writer Wei Wei and the Buddhist scholar
Shen-yen to anonymous family portraits and panoramic seascapes. Also
included in the exhibition are two monumental paintings of significant
historical events; 1959 National Day (2010), a view of Tiananmen square
on the anniversary of Mao Zedong’s declaration of the People’s Republic
of China, and Grand Canal (2009) showing labourers at work on the
Beijing to Hangzhou Canal. Incense ash is a highly charged and significant medium for Zhang. It
embodies the harmony and unity of collective religious ceremony as well
as the intensely private, individual experience of prayer. Described by
the artist as a transformative ‘message carrier’, it is both the residue
of disintegrated material – an index of memory, history and the past –
and a deeply spiritual signifier of restitution and hope'
Then discover the radical artist - (genious?)
You know someone who can create such works in ash must be intense and obsessive to say the least. The catalogue hints at his work as a performance artist so you know he is no traditionalist. Then I saw a book in the bookshop on his performance pieces using his own body - very good looking he is too - and later on google images. Again from the guide:
'Carrying on from earlier performative works, such as Pilgrimage to
Santiago (2001), in which the artist enclosed himself in an immense,
swinging thurible, Zhang’s use of ash in these works melds traditional
Chinese and Western art historical references with his own complex,
personal and religious meanings.'
Images of Huan's wide ranging performance and other work from google images:
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| Incense ash sculpture |
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| '1/2' |
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| 'Family Tree' |
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| 'To Raise the Water Level in a Fishpond' |
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| '12 Square Metres' |
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| 'Human Nature' |
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| 'Three Legged Buddha' 2008, Royal Academy |
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| 'Long Island Buddha' |
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Anslem Kiefer - Let a Thousand Flowers Bloom @ White Cube Hong Kong
For anyone lucky enough to be in Hong Kong, the Kiefer exhibition would be amazing.
