Monday, May 27, 2013

Its been tough but nearly there

Several times thought of giving up, missed a couple of classes, rested more and only 4 weeks more - i will only enrol in 1 class per week from now on.  Have nearly finished making frame, drawing starting to improve again, finally got a screen print to work and in next week's last etching class he will show me how to photo etch the sleeping child drawing that worked well in screen printing - i was disappointed with results of hand etching which came out to lightly and he couldnt tell me why (the lines on the paper showed i pressed hard enough and i left in acid long enough.)  It's anoisy dirty class so glad it's ending.

Screen print worked so printed on test paper, good textured paper, cotton, vests then went toclass storeroom to take off one ofmy tops to print on as screen emulsion may have disintergrated by next time.  Got to use urea this time to thin some ink. Fortunately it was oderlous and clear.
Overdid the neck tendons.
Model on left is amateur is amatuer actor and so loves bringing in costumes which normally annoys me, but this time they dressed brilliantly to copy 'The Card Players'.

Friday, May 3, 2013

This weeks classes

Tuesday Etching 

Too tired after visiting 2 galleries.  No place to sit tho teacher did try to help.  Printed out both plates. First time wrong side up, top pics, second time correct darker lower pics.  I knew he told me to take out of acid too soon and i can see i was right as they are too feint.  One on the right disappears top left and bottom right.  He is now going to show me how to work on plates further using stop out varnish, more acid, reprinting, and so on.  I see others been working on plates for months. I dont have patience for this.  Its dirty hard work in chaotic envirnoment and i am glad only 5 weeks left.  


Left - etching done on soft ground, top too light as i put plate into press wrong way up.   Right - etching done on hard ground, not long enough in acid.



Wednesday Screenprinting

 I forgot to take pics of processes as i promised.  Will try to remember next week.

Most people used 2 screens.  i thought easier to put more on one.  But this makes it difficult when it comes to printing.  Also i used the machine alone, as teacher was busy, to develop the emulsion.  After 1st time i thought it hadnt worked so did again and eneded up with blurred double development on the left hand side which had moved.  The right hand side, the hands had stuck to screen so didnt move, thus worked ok.  Next week will try 2 screens, a water bottle, and a pattern.  

One good tip a student told me (i will take pic of this) - print first part of design on see thru acetage when you have screen locked into print board, mask tape this to the board that hold the screen.  Then you can position your material under this printed acetate, fold acetate back out of the way and then pull down screen and print next part of screen.


Right and middle - 2 prints on calico.  Managed to match up 2nd colour, red, even tho i didn't have registration marks on screen because teacher hadnt told me to do it before developing screen.
Left - several drawings that are blurred because i accidentally double developed - on calico.




Bottle design for next week - one screen (should really be 2 if want to print quickly.  Left - background colour with a river,  for bottle label.  Print this first then print bottle on top.  Registration marks can be seen as crosses top and bottom for matching these two parts.


(Will add pattern design here when i design it in photoshop hopefully this weekend.)



Thursday - frame making with lovely old Silvio.  

Half class didnt turn up, given up on the chaos I guess.  Even though less of us, he kept disappearing, helping advanced students, and doing paperwork.  So we chatted - we have agreed that we will learn one thing each week and not worry about it.  This week we planed our sawn mitred ends, and learnt to use clamps to glue frame together.  Left frames to dry.  Next week paint, stain or wax frame and maybe importantly, cut mount board.  B&Q have manual mitre saw for about £20 and electric £50 and the clamp for £12.  Getting the type of planer he uses more difficult.  He says about £150.  This helps you improve your sawed ends, slither by slither so that angle of cuts are right and fit together better.  My sawn angles, even with the mitre saw, were quite a bit out.  I am glad  I have made frame before cutting mount card as I don't have to be perfect measurement wise.


Manual mitre saw £18-22
Electric mitre saw  starting at £50


Framing clamp holds frame together while glue dries.  £12


Mitre planer - this one bigger than one we use.  I need to think and investigate on youtube etc about whether i can use normal planer perhaps in mitre box or something else as i certainly dont want anything big or expensive.

Still waiting for Amazon delivery, then more creative colour play - dying my crappy looking greying hair which I have left for far too long because too tired every time I remember to do it.  Just like plucking my tash & eyebrows and shaving nose hairs with nose shaver,  I remember it when I look in the car mirror in bright sunlight when it looks much worse than in my dull bathroom.  I now keep pluckers in bag and have been known to pluck in car, in the disabled bay, in Trafalgar Square.  The tourists think its performance art I'm sure.  Just realised its 6pm.  I could have gone to school and been back in time for delivery.




Posting via email on ipad

Finally worked this is the easiest way to post on ipad.  Why did it take so long?  Subject becomes heading, attach photos and enter text in body.  Photos dont always go where u want them but that can be fixed in app, tho easier on desktop.

--
Shirley Grange


Cant wait for this exhibition - Australia at Royal Academy


Problems viewing this email? Click here for an online version
Sidney Nolan, 'Ned Kelly' (detail), 1946. Enamel paint on composition board. 90.8 x 121.5 cm. National Gallery of Australia, Canberra. Gift of Sunday Reed, 1977.


Hello,
This morning, we presented our major autumn exhibition, Australia, to the press. Marking the first survey of Australian art in the UK for more than half a century, I am confident you will share our excitement over this hugely ambitious undertaking.

An exhibition that has been in the making for several years now, it has been a journey which has opened our eyes to the distinctiveness of the Australian landscape, the complexity of its indigenous and colonial history, the extremes of its nature and above all, the power of its art. We hope to share this story with you, spanning 200 years from 1800 to the present day, taking in over 200 works including painting, drawing, photography, watercolours and multimedia.
The majority of the works in the show have never been seen in the UK before, and some of Australia's most iconic works, drawn from major public collections from across Australia, have been secured for loan.

My personal hope as someone who has experienced the majesty of Australia's landscape first hand and who has been captivated by its culture, is that this exhibition will showcase the sheer beauty and diversity of Australian art; exploring a nation both ripe with creativity and rich in artistic history.

At the Royal Academy, we are always seeking to broaden the canon of art that our visitors are able to experience, whether it be bold contemporary work, 
ancient sculpture or ground breaking architecture; we aspire to challenge and inspire; Australia promises to do just that.

Tickets are on sale now so I urge you to book early for what I assure you will be a wonderful odyssey through the heart of a nation and its people.

Kathleen Soriano
Director of Exhibitions
Australia (21 September - 8 December 2013)
#RAAustralia





Throwing out Work

2 heads done on ipad, the two lying down i threw in bin in drawing class as i only want to keep stuff i really like.  However they look better in picture.  Few people said i should have kept.  I could have reused in Mixed media, tear ups, collage etc.  just not feeling that creative.  In any case if i do like them then i will get to point when i can produce them easily so no real loss.  It shows the advantage of being able to keep work on ipad, both drawn on ipad and pphotos - if i throw out ok work, i now photograph them so i have a reference of how i progress.  Editing one's own work is very hard.  People often like work i don't.  It's easy to see a failure because you were trying for one style rather than seeing what the work is in itself.   I still think they're not quite right.  Certainly freer than the 2 ipad heads but they were just experiments with new media i bought that day - giant charcoal and graphite blocks, and art watercolor art bars, all by Derwent.






--
Shirley Grange