Monday, August 8, 2011

Print making 2




3 monoprints - drawing on back of sheet lain on inked metal/glass sheet



The following are done by placing inks on metal then wiping ink away for light areas, drawing lines into the ink and perhaps adding colours, then placing sheet on top and printing (putting thru the press which i'd like to have but i have seen friend who just leaves under lots of books for days).  You can sometimes get a second or third print but they will be pale - see second woman's face, i also added colour before printing again.







the following one is french term i can't remember - collage and printing at the same time.

The following are done by scratching into polystyrene.  The first one - 2 prints, the styren sheet was cut into different segments so i could leave out some segments for second print.




etching copied from da vinci

Print making 1

I wanted to learn how make prints - especially of own work so i did all the print classes - 4 - at mary ward last year to find out how the different process work - screen printing, photographic screenprint (the only one you could use to print an existing artwork), etching, monoprinting, linocut,.  They're not great but i will definately do a lot more work.
an etching of john, wonky eyed,  scratched into metal then black ink added.





and old drawing - the only good one i did in 2008 in that first class, done with ink, which is why i feel good about ink -i couldn't believe i had done this.  So,this is what i wanted to reproduce as a print.  First used a photoshop black and white special screen print setting to print out onto paper - very dotty.  Then painted screen with special photographic emulsion, brushed oil on the print of skull to make the paper see thru, put the pic on the screen then turned on the light for a few minutes and the image burned into the emulsion on the screen.  Washed of the screen and did lots of print onto fabrics, old pyjamas, tshirt and vests -as screen would be reused.







These 3 prints of an etching i did show how getting the right amount of ink on the plate needs to be practiced.  It also shows how you can wipe ink of areas of the plate where you want hightlights, although this is another technique.  In this etching i should have scratched enough lines in the darker shaded areas to give depth, then could have wiped ink off plate to leave ink only in scratches.









Shading

An example of shading done well.  It's a pencil drawing i bought in Margate Gallery, supposedly school of Augustus John. Though i like freer styles i want to be able to do this - get the technique and discipline first.



My lounge

some pics i took before moving things around and deciding where to put pics. It's a mess and crowded - you can see all my china things i've collected for still lifes/craft projects perhaps.  This is where i live mostly and do some art stuff.






3 pics above my computer:  top one is strange leg drawing i did - looks half like an arm.   bottom left is the very first piece of art i bought on a farm in the lake district for £20 and the bottom right a mixed media piece i did last year with pictures, wax and gold leaf.



Bookmaking

class i did at Mary Ward 2010.  Want to do more with books and boxes but not sure what yet.  A bookmaker i saw at craft fair last year got into Royal Academy Summer Exhibition with a lovely memory book i had loved, and it sold there.  Good see this kind of thing being taken seriously.
My meager attempts:










Landscape

Here is a pastel stylised landscape i did last year based on an early Lowry.   Tell me what if anything you can see in it.